So, I’ve stumbled across a few interesting short story and/or flash fiction anthologies recently, and thought maybe I should share the love…
Here you go!
Deadlines, July 31
The Lane of Unusual Traders (Flash Component) – Tiny Owl Workshop
The Lane of Unusual Traders is a world building project. The aim is to write or otherwise bring the Lane, the City of Lind and the world of Midlfell into existence through stories, illustrations, comics and, well, through whatever other creative means present themselves as the story grows.
Monsters and Maps – Cricket Magazine
Cicada’s out to fill an upcoming issue with krakens, ogres, and other beasties, literal and figurative. We’re interested in the monstrous as dangerous and strong; in monsters that lurk without and within. Monsters may show up on maps (especially weatherbeaten old sea charts), though largely as shorthand for the uncharted and unnamed. We’re interested in the way maps help navigate the wilderness, inspire exploration, and track relationships, spatial and otherwise.
Subversive Fairy Tales – The Book Smugglers
What We’re Looking For:
- DIVERSITY. We want to read and publish short stories that reflect the diverse world we live in, about and from traditionally underrepresented perspectives.
- Middle Grade, Young Adult, and Adult audience submissions are welcome. Good speculative fiction is ageless!
- Creativity & Subversion. We love subversive stories. We want you to challenge the status quo with your characters, story telling technique, and themes.
The Journal of Unlikely Entomology – Unlikely Story
Beautifully-written fiction, characters that grab us by the throats and refuse to let go, worlds that draw us in and demand to be explored. Genre isn’t particularly important to us—speculative, mainstream, slipstream, and the unclassifiable tales in between—we’ll read anything; all we ask is that the stories meet the requirement of the theme of the issue. For The Journal of Unlikely Entomology, this means bugs.
‘Blue‘ – 101 Fiction
Anything and everything blue. Literal or figurative. The sky, the sea, a pair of eyes, the pattern on an oriental plate. A desultory mood, a filter, a way of seeing the world. It can be an impression, or a synaesthetic scent. It doesn’t have to be the focus of the story, and you definitely don’t have to use the word ‘blue,’ so long as it is identifiable and recognisable. It could be a topaz necklace like tiny icebergs strung together, or the flash of turquoise from a kingfisher’s wings.
We do loosely hold to four genres – science fiction, fantasy, horror and surreal – but we’re generous in our interpretation of those. If the story grabs us, shakes us, scares us, excites us, sings to us in some way, that’s the important thing.
There you go. Good luck, and maybe I’ll see you in one of those anthologies, our stories rubbing shoulders!